Musik elektronik

Musik elektronik
Sumber aliran
  • Modernisme
  • Futurisme
Sumber kebudayaanAkhir abad ke-19 dan awal abad ke-20, Eropa dan Amerika Serikat
Alat musik yang biasa digunakan
  • Digital audio workstation
  • MIDI
  • alat musik elektronik
Bentuk turunan
  • Ambien
  • dub
  • hip hop
  • krautrock
  • neo soul
  • new-age
  • new wave
  • noise
  • post-disco
  • post-punk
  • psychedelic
Subgenre
  • Chiptune
  • drum dan bass
  • EDM
  • elektro
  • elektroakustik
  • electronica
  • glitch
  • house
  • IDM
  • industrial
  • jungle
  • techno
  • trance
Genre campuran (fusion)
  • Rok elektronik
  • electronicore
  • elektropop
  • elektropunk
  • elektronik indie
  • nu jazz
  • electro swing
  • synth-pop
  • trip hop
Topik lainnya
  • Musik avant-garde
  • Musik komputer
  • elektronik dalam musik rok
  • musik eksperimental
  • teknologi musik (elektronik dan digital)
  • garis waktu genre musik elektronik
Leon Theremin mendemonstrasikan alat musik theremin pada tahun 1927

Musik elektronik adalah musik yang menggunakan alat musik elektronik, instrumen digital, dan teknologi musik berbasis sirkuit. Secara umum, dapat dibedakan antara suara yang diproduksi menggunakan cara elektromekanis (musik elektroakustik), dan yang diproduksi hanya menggunakan elektronik.[1] Instrumen elektromekanis mengandung elemen mekanik, seperti dawai, palu, dan sebagainya, dan elemen elektrik, seperti pickup magnetik, power amplifier dan pengeras suara. Contoh perangkat penghasil suara elektromekanis termasuk telharmonium, organ Hammond, dan gitar listrik, yang biasanya dibuat cukup keras untuk didengar oleh pemain dan audiens dengan penguat instrumen dan kabinet speaker. Instrumen elektronik murni tidak memiliki dawai yang bergetar, palu, atau mekanisme penghasil suara lainnya. Perangkat seperti theremin, synthesizer, dan komputer dapat menghasilkan suara elektronik.[2]

Perangkat elektronik pertama untuk pertunjukan musik dikembangkan pada akhir abad ke-19, dan tak lama kemudian futuris Italia mengeksplorasi suara yang belum dianggap musikal. Selama tahun 1920-an dan 1930-an, instrumen elektronik diperkenalkan dan komposisi pertama untuk instrumen elektronik dibuat. Pada tahun 1940-an, pita audio magnetik memungkinkan musisi untuk merekam suara dan kemudian memodifikasinya dengan mengubah kecepatan atau arah kaset, yang mengarah ke perkembangan musik pita elektroakustik pada 1940-an, di Mesir dan Prancis. Musique concrète, dibuat di Paris pada tahun 1948, didasarkan pada pengeditan bersama rekaman fragmen suara alam dan industri. Musik yang diproduksi hanya dari generator elektronik pertama kali diproduksi di Jerman pada tahun 1953. Musik elektronik juga dibuat di Jepang dan Amerika Serikat dimulai pada 1950-an. Perkembangan baru yang penting adalah munculnya komputer untuk menggubah musik. Komposisi algoritmik dengan komputer pertama kali didemonstrasikan pada 1950-an (walaupun komposisi algoritmik per se tanpa komputer telah dibuat jauh lebih awal, misalnya Musikalisches Würfelspiel dari Mozart).

Pada 1960-an, musik elektronik langsung dipelopori di Amerika dan Eropa, alat musik elektronik Jepang mulai mempengaruhi industri musik, dan musik dub Jamaika muncul sebagai bentuk musik elektronik populer. Pada awal 1970-an, synthesizer monofonik Minimoog dan mesin drum Jepang membantu mempopulerkan musik elektronik yang disintesis.

Pada tahun 1970-an, musik elektronik mulai memiliki pengaruh signifikan pada musik populer, dengan adopsi synthesizer polifonik, drum elektronik, mesin drum, dan turntable, melalui munculnya genre seperti disko, krautrock, gelombang baru, synth-pop, hip hop dan EDM. Pada 1980-an, musik elektronik menjadi lebih dominan dalam musik populer, dengan ketergantungan yang lebih besar pada synthesizer, dan adopsi mesin drum yang dapat diprogram seperti Roland TR-808 dan synthesizer bass seperti TB-303. Pada awal 1980-an, teknologi digital untuk synthesizer termasuk synthesizer digital seperti Yamaha DX7 dipopulerkan, dan sekelompok musisi dan pedagang musik mengembangkan Musical Instrument Digital Interface (MIDI).

Musik yang diproduksi secara elektronik menjadi lazim di domain populer pada 1990-an, karena munculnya teknologi musik yang terjangkau.[3] Musik elektronik kontemporer mencakup banyak variasi dan mencakup musik seni eksperimental hingga bentuk populer seperti musik dansa elektronik. Saat ini, musik elektronik pop paling dikenal dalam bentuk 4/4 dan lebih terkait dengan budaya arus utama dibandingkan dengan bentuk sebelumnya yang dikhususkan untuk pasar khusus.[4]

Lihat juga

Catatan kaki

  1. ^ "The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" (Holmes 2002, hlm. 6).
  2. ^ Electroacoustic music may also use electronic effect units to change sounds from the natural world, such as the sound of waves on a beach or bird calls. All types of sounds can be used as source material for this music. Electroacoustic performers and composers use microphones, tape recorders and digital samplers to make live or recorded music. During live performances, natural sounds are modified in real time using electronic effects and audio consoles. The source of the sound can be anything from ambient noise (traffic, people talking) and nature sounds to live musicians playing conventional acoustic or electro-acoustic instruments (Holmes 2002, hlm. 8).
  3. ^ "Electronically produced music is part of the mainstream of popular culture. Musical concepts that were once considered radical—the use of environmental sounds, ambient music, turntable music, digital sampling, computer music, the electronic modification of acoustic sounds, and music made from fragments of speech-have now been subsumed by many kinds of popular music. Record store genres including new age, rap, hip-hop, electronica, techno, jazz, and popular song all rely heavily on production values and techniques that originated with classic electronic music" (Holmes 2002, hlm. 1). "By the 1990s, electronic music had penetrated every corner of musical life. It extended from ethereal sound-waves played by esoteric experimenters to the thumping syncopation that accompanies every pop record" (Lebrecht 1996, hlm. 106).
  4. ^ Neill, Ben. "Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music". Leonardo Music Journal. 12: 3–6. doi:10.1162/096112102762295052. 

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  • Shanken, Edward A. (2009), Art and Electronic Media, London: Phaidon, ISBN 978-0-7148-4782-5 
  • Shapiro, Peter, ed. (2000), Modulations: a History of Electronic Music: Throbbing Words on Sound, New York: Caipirinha Productions, ISBN 1-891024-06-X 
  • Sicko, Dan (1999), Techno Rebels: The Renegades of Electronic Funk, New York: Billboard Books, ISBN 0-8230-8428-0 
  • Strange, Allen (1983), Electronic Music: Systems, Technics, and Controls, second ed. Dubuque, Iowa: W.C. Brown Co. ISBN 978-0-697-03602-5.
  • Wells, Thomas (1981), The Technique of Electronic Music, New York: Schirmer Books; London: Collier Macmillan, ISBN 978-0-02-872830-8 

Pranala luar

Sumber pustaka mengenai
Musik elektronik
  • Sumber di perpustakaan Anda
  • Sumber di perpustakaan lain
Wikiquote memiliki koleksi kutipan yang berkaitan dengan: Electronic music.
  • Media terkait Electronic music di Wikimedia Commons
  • History of Electroacoustic Music – Timeline Diarsipkan 2010-06-26 di Wayback Machine.
  • A chronology of computer and electronic music Diarsipkan 2017-02-28 di Wayback Machine.
  • '120 Years of Electronic Music' History of electronic musical instruments 1880 to present day
  • Electronic Music Foundation
  • Ishkur's Guide to Electronic Music Diarsipkan 2007-11-18 di Wayback Machine. Provides good examples of many of the genres in electronic music
Pengawasan otoritas Sunting ini di Wikidata
Umum
  • Integrated Authority File (Jerman)
Perpustakaan nasional
  • Spanyol
  • Prancis (data)
  • Ukraina
  • Amerika Serikat
  • Jepang
  • Republik Ceko
Lain-lain
  • Microsoft Academic